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  • The Ultimate Live Sound Operator's Handbook (Hal Leonard Music Pro Guides) (Hal Leonard Music Pro Guides)
    The Ultimate Live Sound Operator's Handbook (Hal Leonard Music Pro Guides) (Hal Leonard Music Pro Guides)

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    Author: Bill Gibson
    Publisher: Hal Leonard - Music Pro Guides
    Category: Book

    List Price: $34.95
    Buy New: $25.49
    You Save: $9.46 (27%)



    New (27) Used (4) Collectible (1) from $25.49

    Avg. Customer Rating: 3.0 out of 5 stars 4 reviews
    Sales Rank: 358136

    Media: Paperback
    Edition: Pap/DVD
    Number Of Items: 1
    Pages: 384
    Shipping Weight (lbs): 3.2
    Dimensions (in): 10.8 x 8.4 x 1.1

    ISBN: 1423419715
    Dewey Decimal Number: 620
    UPC: 884088106768
    EAN: 9781423419716
    ASIN: 1423419715

    Publication Date: May 1, 2007
    Availability: Usually ships in 1-2 business days
    Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.

    Similar Items:

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    Editorial Reviews:

    Product Description
    The Ultimate Sound Operator's Handbook is written to specifically address the concerns and needs of sound operators of all types. High-quality audio is imperative, whether you're running sound for a rock, country, punk, or jazz band performing in clubs, arenas, or outdoor parks. With the advent and implementation of large-budget multimedia presentations, high-resolution multichannel audio for movies, television, and downloads, any live act must sound great to be well received by today's increasingly savvy audience members. This comprehensive handbook focuses on each aspect of live sound in a way that is straightforward and easy to understand, breaking the process down into principles and practices that assist the modern sound tech in everything from planning and budgeting to mixing and recording the live show.


    Customer Reviews:

    4 out of 5 stars A good tool for training   April 8, 2008
     1 out of 2 found this review helpful

    This is a good book. Like the man says, it's for operators, not engineers, and there's a meaningful difference between the two. When I train my team, this will be part of my training tools; it doesn't substitute for hands-on time with the sound system, and it doesn't substitute for hands-on time with an experienced sound guy.

    I recommend to my trainees that they pick up a copy of this book and leave it on their toilet tank, where they read a few pages every day, and think about how to make use of what they just learned when they're working with the system.

    For the record, Bill's methods for running sound aren't 100% in line with mine (I've been doing this for 30 years), but they are trustworthy, they are likely to be effective, and they're presented in a way that makes sense for wannabe sound operators and techs. Good job, Bill!

    The "Qualifications" and "Duties" sections alone are worth the price of the book. It's good material, presented well, and while it won't substitute for hands-on experience, it's very useful.



    1 out of 5 stars same problems as church sound version   February 14, 2008
     3 out of 4 found this review helpful

    Nearly all of the content of this book is a verbatim copy of the same author's "Ultimate Church Sound Operator's Handbook," and contains the same errors, omissions, and contradictions that the informed reviewers have noted in their critical reviews of the church version. In short, the book promulgates a host of audio misconceptions, ranging from the common to the bizarre, each of which leads directly to bad sonic results, unsafe conditions, wasted money on bad equipment buying decisions, embarrassment, and a prolonged learning curve over that which would be required if the reader chose her or his reading more carefully. There is simply no reason for the consumer to waste money and time by learning audio wrong, and then having to relearn it correctly, when there are many far superior books on the market.

    For those who are interested, the similarities between the "live" and "church" versions of the book are as follows:

    Chapter 1 and 2 are the same in both versions with only slight changes in terminology and a few additions in the church version.
    Chapter 3 of the secular version is the same as chapter 6 of the church version (Volume Issues).
    Chapter 4 of the secular version is the same as chapter 8 of the church version (Sound Theory).
    Chapter 5 through 18 of the secular book are equivalent to chapters 9 through 22 of the church book (almost word for word the same).

    Folks who desire to learn audio from reliable sources should consider Davis's The Sound Reinforcement Handbook, and/or Stark's Live Sound Reinforcement, Bestseller Edition (Hardcover & DVD). Other beneficial resources include Everest's Critical Listening Skills for Audio Professionals, Eargle's Music, Sound, and Technology, and for the definitive reference, Ballou's Handbook for Sound Engineers, Third Edition. For what it's worth, a fourth edition of the latter book is rumored to be on the way by the end of the year. Suffice it to say that audio is a technical subject, albeit one that suffers from a disproportionate amount of uninformed commentary from self-styled "experts." If the sound of your concert, church service, or other event matters to you, or if you plan to make a living providing sound reinforcement services, then it pays to be careful who you listen to, and what you read, about the fundamentals of audio.



    5 out of 5 stars This book is written for sound OPERATORS!   August 24, 2007
     1 out of 4 found this review helpful

    As the author of this book, I'd like to say that it is written specifically to help sound OPERATORS. It is NOT written to help design engineers or installers. If you want to do a better job at creating great sounds in the live sound world, this book is for you. It has helped a lot of people and is a very strong offering for sound operators who want practical solutions to everyday concerns.


    1 out of 5 stars Not recommended   July 10, 2007
     5 out of 8 found this review helpful

    Chapter 5 describes using an AC ground lift adapter - a most dangerous, potentially fatal and incorrect way to deal a hum and buzz issue (besides being in violation of the NEC). This is just the beginning of some of the serious flaws with this book. "Ultimately" I think this book does a serious disservice to live sound operators. I have been involved in professional audio since 1986 and I would not recommend this book. The other book written by Mr. Gibson, "The Ultimate Church Sound Operator's Handbook" unfortunately has the same issues. Great looking book, though. I am returning it to Amazon.


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