Jaspella Gospel Guide: Online Store

Advanced Search

View Cart Checkout

Location: Home » DVD » General » Classic Archive: Piano Virtuosos

Similar Items:

•	Stravinsky, Prokofiev, Scriabin, Rachmaninov, Chopin, Bach, Brahms: Alexis Weissenberg - Classic Archive
•	Tatiana Nikolayeva: Shostakovich
•	Martha Argerich, Evening Talks
•	Vladimir Ashkenazy: Master Musician

Editorial Reviews:

Amazon.com
Hungarian dynamo György Cziffra gets top billing in this DVD of BBC concert broadcasts from the early 1960s, which easily could have been titled "Great Romantic Pianists," since almost half of the disc's 107 minutes include videos of recitals by Benno Moiseiwitsch and Jorge Bolet. All three, to a greater or lesser degree, represent surviving traditions of Golden Age pianism. Cziffra was a real throwback, playing with virtuoso panache and idiosyncratic flair, the latter heard in mannerisms like arbitrary tempos and dynamic changes, exaggerated climaxes, and showy accents. The disc opens with a jacketless Cziffra escorted across a bare studio stage to launch into an improvisation with hints of Chopin and Liszt, a reminder that 19th Century virtuosos often improvised preludes to pieces on their programs. His version of Liszt's Grand Galop chromatique is a breathtaking romp, and the Hungarian Rhapsody No. 6 and Schumann's Toccata are done with tremendous power. For all his keyboard flashiness, Cziffra's stage demeanor is relatively cool: he lets his fingers do the work and they produce amazingly precise articulation, trills, and arpeggios that cast a hypnotic spell. The Moiseiwitsch selections give us a great artist playing two of his favorite composers: Schumann and Rachmaninov. Moiseiwitsch's brand of Romanticism was characterized by a beautiful, singing tone, relaxed elegant phrasing, and subtle dynamic gradations, all of which are on display in his performance of Schumann's Fantasiestücke, Op. 12 and Kinderszenen and Variations 17 to 24 of Rachmaninov's Rhapsody on a Theme of Paganini, the latter with a rather dim-sounding orchestra but featuring poised, exciting pianism in the grand manner. Cuban virtuoso Jorge Bolet contributes a superb interpretation of Albeniz's Triana, notable for his seamless legato, also present in his poetic Chopin Berceuse. Bolet also includes the Liszt Grand Galop chromatique, a performance that breathes effortlessly, leaving a less frantic impression than Cziffra's. The video on the Cziffra set is sharper than the grainy remainder of the DVD, but there should be no complaints about the discreet camera work that utilizes few camera angles, exposing facial expressions and fingers-on-the-keyboard clarity that add to the experience. --Dan Davis

Customer Reviews:

5 out of 5 stars

Great Pianism! November 18, 2008
2 out of 2 found this review helpful

There were only a tiny handful of true virtuoso pianists of the 20th century. Cziffra was one of them(Bolet wasn't a slouch either!). This DVD is a must for pianists. His inprovisation at the beginning is stunning. The Gypsy pianist lives on!!

4 out of 5 stars

Archival Video Footage of Three Pianistic Giants of Yesteryear September 25, 2008
7 out of 7 found this review helpful

This DVD contains studio-recorded video clips from performances by three giants: György Cziffra, Benno Moiseiwitsch and Jorge Bolet. The contents:

Cziffra: All from 1963, BW, mono
Improvisation
Bach/Busoni: Prelude and Fugue in D Minor, BWV 532
Scarlatti: Sonata in A, K101 & Sonata in D, K96
Schumann: Toccata in C, Op. 7
Liszt: Hungarian Rhapsody No. 6; Polonaise in E, S.219; Grand Galop Chromatique, S.219
Chopin: Polonaise No. 6 in A Flat, Op. 53, 'Heroic'

Moisweiwitsch: BW, mono
Schumann: Träumerei (rec. 1954); Fantasiestücke, Op. 12 (rec. 1954)
Schumann: Kinderszenen (including another performance of Träumerei) (rec. 1963)
Rachmaninoff: Paganini Variations 17-24, with Charles Groves and the Philharmonia Orch. (rec. 1963)

Bolet: Rec. 1962, BW, mono
Albeniz: Triana (from Iberia, Bk II)
Chopin: Berceuse in D Flat, Op. 57
Liszt: Grand Galop Chromatique, S.219

Cziffra starts with a bombastic (and ugly) improvisation that includes riffs on the Chopin/Liszt 'Maiden's Wish' and the Chopin's C Major Etude, Op. 10, No. 1. It is best to consider this nothing more than a warm-up for what is to come. His nonpareil technique is put at the service of crystal clear Scarlatti, soulful Liszt (the Hungarian Rhapsody No. 6 is enough to make you swoon with delight), a stunning Heroic Polonaise and the fastest Grand Galop Chromatique I've ever heard. His octaves are simply amazing, not to speak of his repeated notes. It is noted that his version of the GGC is a full minute-and-a-half faster than Bolet's. But this is at the price of some musical coherence. One gapes at the technique, but one misses much of the lyricism in the piece. Still, Bolet's version sounds a little earthbound in comparison.

Moiseiwitsch plays an enchanting 1954 Träumerei in grainy video and slightly distant but otherwise adequate sound. His legato is something to treasure. The clips from 1963, when he was 73 and only a few months before his death, show his technique somewhat eroded; there are more than a few clinkers. But his musicianship is intact and there is some lovely playing, particularly in the less demanding parts of Kinderszenen. The unaccompanied introduction to the Paganini Variation 17 demonstrates why Rachmaninoff thought Moiseiwitsch played his music as well as the composer. Lovely, simply lovely. Unfortunately in the intricacies of the subsequent variations the pianist and orchestra sometimes almost lose touch with each other. This is mitigated, strangely enough, by the very recessed sound of the orchestra. I had never seen Moiseiwitsch on film before and was delighted to put sight to sound. He's been a favorite of mine for years, but I think I'll tend primarily to listen to his audio recordings, particularly those from twenty years or so earlier, rather than watch these clips.

Bolet plays an evocative 'Triana' from 'Iberia' and it makes me wish he had filmed more of Albeniz's masterpiece. His Chopin is suave and one marvels at his legato and singing tone. As I said before, the Grand Galop Chromatique, when seen and heard alongside that of Cziffra, seems a bit prosaic but I think if one heard it alone one would not have that impression. It's just that Cziffra's sizzles, for all it blurs the piece's musical line. Bolet's approach to Liszt was always more subtle than Cziffra's and there is room for both approaches.

This DVD is for ardent pianophiles, particularly those who have curiosity and/or reverence for pianists of the past.

Running time: 107mins; Format: NTSC 4:3; Sound: Mono; Subtitles in French, German -- there is very little spoken narration but what there is is in BBC English; Region Code: 0 (Worldwide)

Scott Morrison

DISCLAIMER: These products are automatically listed from Amazon.com
and may not necessarily represent the belief and policies of this site.

. . . . . . . . . . . . . . . . . . . . . . . . .