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| Esa-Pekka Salonen - In Rehearsal (Debussy - La Mer) | 
 enlarge | Actors: Esa-pekka Salonen, Los Angeles Philharmonic
Studio: Image Entertainment
Category: DVD
List Price: $24.99
Buy New: $22.49
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Avg. Customer Rating:  2 reviews
Sales Rank: 104677
Format: Classical, Color, Dvd-video, Ntsc
Language: English (Original Language)
Rating: NR (Not Rated)
Running Time: 55 minutes
Number Of Items: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
UPC: 014381928624
EAN: 0014381928624
ASIN: B00005OCLI
Theatrical Release Date: 1992
Release Date: October 30, 2001
Availability: In stock soon. Order now to get in line. First come, first served.
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| Editorial Reviews:
Amazon.com
Esa-Pekka Salonen's dynamic personality and first-rate conducting skills star in this terrific glimpse of him and the Los Angeles Philharmonic rehearsing a piece he considers one of the all-time great masterworks: Debussy's La Mer. With his keen intelligence and obvious love for music-making shining through, Salonen candidly discusses how his view of various works has changed over time. Repeating the oft-said truism that the greatest compositions reveal new facets with every performance, the conductor goes on to explain how that happened to him over the years with La Mer. But it's in the revealing rehearsal footage that we see (and hear) Salonen at his best. His easy rapport and his generous give-and-take with the musicians mark him as one of our leading conductors. And the rapturous sounds he and the L.A. Philharmonic make (we never get to hear a full performance, unfortunately, only extensive excerpts) are a suitable climax to this 1997 documentary. --Kevin Filipski
Description
The eminent Finnish composer and conductor Esa-Pekka Salonen became the music director of the Los Angeles Philharmonic in 1992. Under his dynamic leadership, the orchestra is recognized as one of the world's most outstanding, and the exciting partnership Salonen has established with his musicians has been widely acclaimed in the international press. The conductor's efficiency and lack of pretension have promoted a relaxed cooperation between himself and the orchestra, which is particularly evident in the rehearsal process. This program gives a fascinating insight into Esa-Pekka Salonen's rapport with the orchestra and Debussy's Impressionistic masterpiece, "La Mer."
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| Customer Reviews:
great all the way, should have had more speaking November 16, 2001
9 out of 9 found this review helpful
We begin in what looks like Santa Monica where Salonen resides,or near the Pacific,being picked up for a early rehearsal.Salonen has wonderful things to say on creativity, on understanding, on musical destiny, technique as well, texture, layers within Debussy's "La Mer",and how creators have transformed nature into art. Salonen a composer himself brings this other dimension to his music making as Pierre Boulez. Composers he says, have always been drawn to nature, for nature represents endless possibilities, nature helps us humans transcend art and artistic criticism.
The Los Angeles Philharmonic is simply fine music making, sensitive players,encompassing this depth of reference and vision that Salonen articulates.
The lifeworld of music making in Los Angeles seems to be this pervasive seemless orchestral timbre,(I heard them live on tour in 2001) overwhelmingly shaped and articulated moments. This is where the string body dominates the proceedings, winds then blend imperceptively into them and the brass even more. The Bass Drum Player even reveals he has five or six mallets to coax differing timbres from this membrane stretched over a round shape,blending with strings is different than when brass are involved.
There are some nice touches in the editing, angle shots, shots of shoes was cute and oddly interesting, LA's ubiquitous palm trees in various pear shapes,gently flowing in the breezes.
My only disagreement here is Salonen really didn;t analyze the work, and there didn't seem much to do in rehearsal.Well we know that, that the LA Phil knows the damn piece. But for us out here we need to be brought to it from day one, when they first started to put the work together.
Salonen made reference that Debussy took tremendous dangerous chances,and profound challenges in his orchestration. This is where what may be in your head, will not necessarily be what you hear in the real world. Ravel by contrast,Salonen continues, was a greater orchestrator,but took no chances.
We should have heard how Salonen prepares himself to conduct the work, What does he do as conductor as homework?Where does he begin? That would have made very interesting observations.
An almost perfect DVD November 10, 2001
7 out of 7 found this review helpful
Terrific presentation of Salonen's rehearsals with the LA Philharmonic. Nicely edited and presented with commentary by Salonen on various elements of the piece. However, what keeps this from being a "perfect" DVD, in my opinion, is the lack of a finished performance. The orchestra does play the piece almost without interruption, but there are scattered voice-overs and commentary included in the final rehearsal. The sound and picture quality are fine, but the lack of a finished product at the conclusion keep this from being a 5-star DVD. A perfect ending would have shown the transition from rehearsal to concert performance, with the orchestra and Salonen making the changes before the camera. That being said, students of Debussy and of music inparticular will find this a fascinating insight into the process of presenting a work to the public. It's a great idea, and I'd like to see more DVD's like it, but don't forget to finish the work!
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